Gabriel Rosas Alemán’s specialty is movement!
https://jalisco.quadratin.com.mx/cultura/maria-fernanda-y-gabriel-rosas-exponen-celeste-en-el-maz/
More specifically, Rosas Alemán identifies key moments like the initial encounter with art, the way people move through exhibition spaces, and the conservations that arise from them. That first moment is as special for Rosas Alemán as it is for the viewers. He deconstructs these experiences to examine the gestures, social norms, and emotional dimensions that coexist in these settings.
Since his works are 3D, you can see it for the first time from a variety of angles and get a new perspective. The artist expands his walking exhibitions to make use of that and tries to make up new architectural spaces fit for them.
https://travesiacuatro.com/eng/artista/gabriel-rosas-aleman-2/
Rosas Alemán does all this because he wants you to think about both what it means to exhibit art and the relationship between the art and artist. This way, he encourages interactions between the viewers and the art.
The artist’s unique pieces are all built on narratives. This helps create stories and remind us of two seemingly contradictory things: that viewers participate in art and that art can exist even without a viewer. His work depends on both the spectator and his art and is meant to bring out emotions.
https://theartling.com/en/artist/gabriel-rosas-aleman/
Today, Gabriel Rosas Alemán is working in Mexico City, his hometown, doing both solo and group exhibitions.